Showing posts with label midlife crisis. Show all posts
Showing posts with label midlife crisis. Show all posts

Friday, 20 February 2009

"Oh look at those clothes, now look at that face - it's so old..."

It was the rictus, dead eyed grin of the violently disappointed. And the fact that the bearers of it were wearing their now ubiquitous riot of colour and hand-made braiding and epaulets only heightened the insincerity.

For those of you who may erroneously think I was on a table adjacent to Coldplay and Elbow when the latter won Best Band at the BRITs, you are wrong. I haven't been since... 2006, I think. The year Prince blew everyone offstage. This year, I decided I'd like to watch it and indeed got to see about half of it before our toaster decided to fuse all the sockets in the house. I was making a snack while Kings of Leon were on.

The camera is cruel at awards ceremonies, lingering like a rubbernecker at a traffic accident as the losers do their best 'really happy for you' face. When I was interviewing people for that Times piece last week, I spoke to a friend of mine at EMI who attended the awards with one of his artists a few years back. Sadly, the artist didn't win the award they were nominated for and later, no doubt at one of the free-booze-laden aftershows where the real entertainment occurs, they confessed that they had had to work hard on achieving their 'not at all UPSET I HAVEN'T WON' face. Kirsten Scott Thomas who was quoted in the press in the run up to the BAFTAs complaining that it was unfair for Kate Winslet to win both Actress and Supporting Actress at the Golden Globes, didn't bother with The Happy Face - she kept her ice cool, insouciance - some would say, snooty look intact when the inevitable happened and Winslet won again and mounted the stage to gush. I applaud her and anyone honest enough to concur with the title of this week's first line - We Hate It When Our Friends Become Successful.

I've been thinking a bit about professional jealously recently. Not just because of the BRITs or because Morrissey has another bilious album out this week, but also because it seems to me that as this recession deepens, and with it expectations on what is realistic and achievable get 'adjusted' in everyone's lives - including my own - I wonder if the spectre of a colleague doing very much better than you gets easier or harder to bear.

I found myself in meetings in various offices in West London last week, each one with a friend I have known for many years and during each one I stepped out of myself and watched the two of us talking and our body language. Is Ben showing signs of jealously that this person has a nice office and a secure job? Is he being over-deferential? Does the person he is in the meeting with behave in a different way to Ben, knowing that he is now a freelance writer in a recession rather than either a) a mate with a job and no agenda or b) a mate still working within the industry?

I'll be honest, the green-eyed monster did leap out and happy slap me a couple of times during these meetings. Incidentally, a massive aside: I saw Othello for the first time last week (I was reviewing it for thelondonpaper) and the green-eyed monster cliche originates there. Ditto the beast with two backs.

So yes, when I was sitting in Universal Records' subsidised Dean & Deluca style coffee bar, the sunlight dappling onto the lavishly presented promotional posters, I can't deny feeling a frisson of envy that several of my pals are safely ensconced here. And waiting to see a very dear friend in the London offices of CAA, the perfect air-conditioned silence in the meeting room, complete with its cinema-sized widescreen television and designer chairs, made me hanker after the sort of AirMile-rich lifestyle that these office furnishings clearly denoted.

But I didn't hate my friends in a Morrissey way - even if some of them are actually Northern. That same morning I had breakfast with my two Scared Hitless colleagues. Regular readers will know that we've been meeting every Christmas for 14 years since we first had a dabble at running our own indie label. We always have such a good time at these meetings that we've decided to have monthly breakfasts - my other two friends are now so successful, particularly the Northern one, that they don't really have time for lunches. We also decided, credit crunch style, to avoid having power breakfasts in poncy hotels but to meet in proper cafes. This time, because we all had things going on in West London, we decided to meet in Georges cafe behind Olympia. I used to come here a lot when I worked at AOL and I hadn't been there since I visited old AOL-ers when was working in the V2 office in Holland Park.

So to get there in time for breakfast I took the familiar tube route that I'd done for getting on for six years - all the way to Barons' Court then across the appalling Talgarth Road past the University of Hip Hop (I assume that's what they all study there, given the students' strict dress code) and down the fig tree-lined Gliddon Road. This journey, particularly the walk at the end brought back memories of having regular, reasonably normal employment and I had expected to feel a nostalgic yearning for more secure times. Guess what? I felt absolutely overjoyed not to be heading for that terrible black glass building. All the horror of AOL's petty bureaucracy, the passive aggressive bullying and general bad times of that part of my 'career' came flooding back and, like a patient undergoing Jungian therapy I almost broke down on Hammersmith Road and pounded the pavement with my bare fists.

And at breakfast with my two former music business colleagues I felt no jealousy - I am fortunate that they are doing well because they are friends and quite frankly in these times you need all the successful friends you can get.

In Toby Young's column in the Guardian,(always a good read) he uses the Anvil film (directed by a friend of his) to talk about just this sort of professional jealously and comes to the conclusion that as you get older you accept your friends' success much more gracefully. But he also points out that happiness in life is U shaped - you're happy when you're young and again happy when you're older but the most miserable years are your 30s and 40s when you realise the dreams you have are unrealistic and you start to face the reality that you won't perhaps be a pop star, or, I dunno, an international banker.

I'm not sure men ever give up on dreams like these - a mate of mine came up with the theory that this is why old women are generally a lot more sane than old men - because they frequently achieved fulfilment through childbirth and motherhood. Men carry on collecting coins, toy cars or - bit close to home this one - records, and harbouring dreams of becoming international playboys or Internet poker tycoons. That's why grandma is so adorable and wise, while grandpa sits growling in his chair holding a magnifying glass over the Telegraph crossword.

Which takes us back to Coldplay - do you think they really cared about losing out to Elbow? Maybe I was projecting my own suppressed jealousies onto their sweet angelic, internationally successful faces. No, I think they are young and ambitious enough to care. And there is nothing wrong with it; jealously and competitiveness is what drives ambition: no one is successful without it. From lifetime achievement BRIT winner Neil Tenant, who famously admitted putting Pet Shop Boys CDs to the front of record shop racks whenever he had the opportunity, to Paul McCartney who, despite all he has achieved, is still trying to be cool. Even someone you would think was above such pettiness, Franz Kafka, wrote in his diary about his close friend Oscar Baum, another writer in Prague at the time:
Envy of the apparent success of Baum whom I like so much. With this, the feeling of having in the middle of my body a ball of wool that quickly winds itself up, its innumerable threads pulling from the surface of my body to itself.
Yes, that ball of wool was present at the BRITs and if I'm honest, is present whenever I see other writers getting features, or indeed getting their calls returned by editors. I'm getting out that Morrissey CD right now in fact ...

Sunday, 4 January 2009

"You say you want a resolution..."

We're seven miles up in the air somewhere over the Atlantic when Maddy asks me, "Daddy, what's 'meaning'?"

I've just read her the synopsis of the film Wall-E from the tiny screen in front of us and the final line says words to the effect of: '... and at last the lonely robot finds some meaning in life.' As questions go from five-year olds go - or indeed from anyone at all, "What is meaning?" is the big one. And to get it at 35 thousand feet up in the air on New Year's Day makes it seem all the more poignant. How do I answer a question like that?

We're coming back from a ten day trip to the US to visit Robyn's folks in Virginia. Yes, for those of you wondering what had happened to me since the last blog entry three weeks ago, that's where I've been. And now the holiday and indeed the Holidays are over. Interesting that the American catch-all term for Christmas is being increasingly used over here - I got a number of heartfelt corporate festive greeting texts from friends on my return, none of them mentioning the word Christmas. No doubt if any clients of a non-Christian faith received a greeting containing the word Christ during their hard-won Holiday, they would immediately declare a business fatwa on the offending well-wisher.

Yes, Holiday is over and I didn't even get the chance to wish everyone a Merry Christmas or a Happy New Year but I do hope you all had a good one and didn't spend the time between crackers and Auld Lang Syne worrying about what how terrible 2009 is going to be financially, ecologically and of course for the record business. I spent the time in Virginia in the middle of what they call 'The Boondocks' (trans. 'the back and beyond') not once looking at the Internet, the news on TV, a newspaper or even turning on my mobile phone. Instead I cooked, helped my daughters invent games with the dolls and dug deep into the iPod shuffle for Christmas greats (Hark The Herald Angels Swing by The World's Greatest Jazzband Of Yank Lawson & Bob Haggart got a lot of love) as well as returning to my favourite CDs of the year and of course plenty of Maddy's - incidentally, if you have kids under 10 and haven't heard the Carrie and David's Pop Shop album yet you're in for a treat - it keeps your children off the streets, gives an ex member of Linx some well-deserved earnings and you get the fun of spotting the musical references as they plunder every genre to bring pop alive for kids. More fun than listening to Bon Iver, I Grant you.

I must stop going on about Bon Iver, I'm sure he's a very talented and likable guy. I actually did try and have another go at the album over Christmas. I figured I was in the middle of a forest, in a log cabin-style house, it was frosty outside with the nearest town, Scottsville, a twenty-minute drive away; aside from the fact that I wasn't on my own with only my beard for company, surely the atmosphere was identical to the one allegedly endured by broken hearted Justin Vernon when he made For Emma? But no, the thing passed me by again. I love simple voice and guitar music, from Iron and Wine and Elliot Smith to Jake Thackray and Bert Jansch but, for me, there is something missing about For Emma, Ever Ago. I just don't like the fella's singing, it sounds like he's putting on mannerisms, as if his voice isn't his own. And it's double tracked a lot too (e.g on The Wolves) which is always suspicious. And of course, my hackles are always raised when something is universally praised by music critics - every one of them falling for the dubious mythology of the tortured artist doing it for love and making it all my himself in a shed. I'm sure he did, but that doesn't automatically make it 'haunting' and 'beautiful'. I'll give it this though, I do quite like the final track Re: Stacks. But what an annoying indie song-title...

Consensus terrorism as Douglas Coupland calls it, is always rife in the press. I've mentioned it here before, it's when a couple of leading critics set an opinion , which is then followed by all the lesser journalists out of laziness or fear of getting it wrong, then the public follows suit and before you know it, people are either afraid to admit to liking Coldplay or fearful of saying they don't think Pet Sounds is the greatest album ever made. Given that I had time to reflect over things during my holiday in Les Boondocks, I concluded that this is one of the things that obsessess me and is perhaps the underlying motivation in everything I write.

I was angry about consensus terrorism as an A&R man, finding myself quite often very against whatever artists who were getting other A&R folk in a lather, and looking for inspiration elsewhere. Often I was wrong, and whoever it was I didn't care for (e.g. recently The Klaxons, or years ago, Suede) became huge and I actually ended up quite liking their stuff but just as often I was right (Where are The Twang now? And I'll be surprised if we'll hear much more of the Courteeners in 2009).

But why should I care about what 15-year olds listen to? I feel like I'm already father to a teenager as Maddy now wanders round the house singing Fabulous like Sharpay in High School Musical 2. When I started this blog a year ago (yes, amazingly it's been 12 months! I would hold some sort of event for its birthday, invite all of you and bathe in glory if I was the sort of person I dislike . Incidentally, I have to admit the popularity of A&Rmchair is one of the most pleasing things about 2008 for me and, as the risk of sounding like Halle Berry at the Oscars thank you all for reading it in such numbers with such regularity.

But I am digressing again. What I was about to say was that a year ago one of the first entries here was about me getting stopped by a beautiful girl who was collecting for The Samaritans outside Farringdon station. After having done the usual bloke thing of assuming that she had collared me because she found my rather splendid looks beguiling, was told that I reminded her of one of her dad's mates. Since then, I have rebuilt my confidence back to being convinced of my adorability. I've done this by means of growing a beard (see, me and that Bon Iver, we've got more in common than you might think).

The beard happened over the summer by accident really; we were on holiday and I just didn't shave for a week. Then, on being complemented by my wife, I kept growing it until, in her words, it 'got a bit Mick Fleetwood' whereupon I trimmed it rather than the usual post-holiday clean shave. Now six months on and I have embraced being a beardy. I never thought I'd be one - my dad has always had a beard and I whilst I always thought it looked good on him, I was on the side of Roald Dahl who disliked them so much he included a whole chapter on them in The Twits. I wear the beard now with pride. But with it come all sorts of new responsibilities - like the wiping away of toothpaste after brushing, or the disentangling of toasty crumbs. Also, I now have to think about the way I dress because it makes me look grown up. I've been to the Old Blue Last many times and stood at the bar next to lots of bearded-up Hoxtonites, but I am aware that if I went now, I could not pass for one of the Mystery Jets unless I was the dad. The beard is not some facial equivalent of a leather jacket and girlfriend 20 years my junior.

This notion crystallised while we were in America. We were doing a shop for kids' clothes at a store called Old Navy which is like a kind of low rent Gap. I wandered off to have a look at the Men's section and found a whole load of T-shirts for $7 each (American T-shirts are always a bargain, it's almost as if they are subsidised along with the petrol). These shirts were individually designed, some had messages, others hand drawn Mo-Wax-style creatures or line drawings, here's one I really liked and tried on. It was then that it hit me: I realised that while I am still fortunate enough to have a waist and reasonably broad shoulders, I just can't pull off the logo T-shirt anymore with the beard (PB). In fact, I'm now not sure if I could even pre-beard (BB) It was a big revelation, to be honest, as I am a huge fan of graphic design on T-shirts, but right there and then I made the decision that I was no longer going to wear shirts like that anymore. I may not be mutton, but I'm damn sure not going to sink into some ignoble middle youth. So there's a New Year's resolution - along with all the others that I'm not going to share here. If you do see me out in a T-shirt, it won't have a graphic design on it. If it does, I hereby give you the right to say, "Oi, grandad! Get yourself something nice from Marks & Spencers instead!"

So what about meaning in life? What did I say to Maddy, who wanted to know about meaning all those feet up in the air? I said this: meaning is your friends, it's knowing that you're not alone - just like Wall-E in the film, which we watched about five minutes of before Maddy got too scared. I told her we were finally going to see her friend Katie who lives next door to us in Walthamstow. Katie, whose name Maddy had mentioned almost every day of the trip, normally in the sentence: "I'm bored, I want to go home, I want to see Katie!" It's about me going out with for the annual Scared Hitless Christmas lunch with two of my oldest mates both of whom are now hugely successful in the music business and being able to talk and laugh as equals for three hours and not notice the time pass or indeed the time that has passed between us - we realised that we'd been having these Christmas lunches for 14 years. So if meaning in life equals friendship, there's another resolution for all of us in 2009: think less about your office desk, your inbox and making money, and see more of your friends. Happy new year!


Sunday, 10 February 2008

Camden Leisure Pirates

Blimey, a whole week has gone since the last entry. That's how time goes when you leave your thirties behind. And as you know I left mine behind years ago. It's what everyone talks about when they get old - how the time flies. Strangely, you never hear about this when you're young, no one ever mentions it. Maybe they do talk about it but you just don't ever listen, it's just a noise in the background like classical music, advice about pensions and invigorating walks in the country. No, the only occasion time flies when you're young is when you're having fun - which clearly, you never are as much as they tell you.

Anyway I've been thinking about age a lot this week. It's to do with Esther turning a month old last Friday, I think - my years are beginning to weigh. It started on Tuesday as I was getting off the tube. I'd been catching up on the weekend paper - the curse of the slow-reader/father combo - and had just finished a really interesting Hilary Mantel review of two books about depresssion. As I got out of the tube station I was thinking about what the article had said - largely semi-praise of the first book, a study of how people too often get fobbed off with anti-depressants instead of dealing with route causes; and a pithy put-down of the second, some fashion jounalist's navel-gazing study of how she dealt with her own depression. She read every book she could get her hands on, she claims, citing Kierkegaard (died 1855) 'who lived a few hundred years ago" as inspiration and having a go at her therapist's dress sense.

So, out of the station I come and bounding towards me comes a really attractive young girl in a Samaritans T-shirt. "Hello, have you got a couple of minutes?" comes the gambit. It is, of course, a charity rep who wants my sort code and bank account details, I believe the common term is Chugger (charity mugger). Normally I would have smiled apologetically and muttered "terribly late, sorry ..." in Guardian reader style. But this time, partly down to her attractiveness but also because I was thinking about depression, I stopped. She was elated and smoothered me with gratefulness. I later learnt that it was her first day as a Samaritans rep and I was the first person who'd stopped for her. In her excitement about this she said, "You know, you really remind me ..." and here, time stood still as I imagined what would come next; who would I remind her of? A mystery guy she'd met on holiday who she'd never seen again, a celebrity? an ex-boyfriend? No. "You really remind me of my best mate's dad!" she squealed. My face must have said it all. "Oh not in a bad way or anything! ... he wasn't old," she back-peddled furiously, fearing the loss of a potential customer, "he was good looking and everything ..."

So this is what the Samaritans have come to, I thought, actively going out and randomly depressing strangers on the street in an attempt to drum up business. The thing is, I do look older than I did. I think I was blessed for quite a while with looking younger than I was and now suddenly age has caught up with me. It doesn't help managing such young, attractive musicians. When we were out with the girl band before Christmas, for example, the digital photography was coming thick and fast and I inevitably ended up with a bunch of pictures on my phone, full of the sort of drunken revelry you'd expect when you go to Christmas parties and the booze is free and you happen to be in your twenties. I showed them to my wife and it was all going well until we reached one featuring me. I am looming up towards the camera, clearly thinking the 22 year-old female guitarist's prettiness is reflecting well on me. This is not the case: I look like a fat, balding regional DJ. "Christ, do I really look like that?" I asked. My wife, who is from the Bronx and doesn't really muck about when it comes to straight-talking, was uncharacteristically reassuring, "You just look a bit drunk, that's all."

"But… but … it's worse than that! All my features have been moved around - I look like a Picasso picture!" Etc etc. In my defence, I was very hungover and beginning to get The Fear.

"Honeybaby," said my wife, upping the longsuffering tone, "you've taken photgraphs of me which are much worse and I AM good-looking."

Incidentally, my wife is not arrogant or an airhead and doesn't have any of the negative traits that you would normally associate with people who proclaim themselves attractive. No, she just knows that she is good looking – and she is. How brilliant must that be! To KNOW you are attractive? I have good days and bad days and I bet that's pretty much the same for most people. I still have days when, to quote Joe Jackson, "I kid myself I look real cool" And as you get older you have more bad than good days, until, I suppose you just don't think about it anymore. It stops bothering you because you become invisible to the opposite sex.

My friend Andy, whose office I share, admits to having been through his midlife crisis already. Last week he told me that he had sat on the sofa the Saturday before, flanked by his wife on one side and his 5 year old daughter on the other, eating apple crumble and watching The One And Only. It crossed his mind that his younger self (the one which once shouted to me at the Reading Festival "Let's do all the speed we've got left and pretend we're the Clash!") would have pointed and laughed. Now the crumble/sofa interface is the height of sensual pleasure for him. Me, I'm still undecided.

At least the age thing hasn't hit the heights of my mate Russell, who whilst always having been the most eccentric man I've ever known managed to top even himself when I saw him on Thursday. I was talking about booking a recording studio for our Scottish band and how much it would cost per day (about £200 if you're interested, A&R-spotters). Russell said to me, "Imagine the peace you'd get in there - no noise from neighbours, no phones ringing, perfect air-conditioned silence - I'd pay 200 quid for that."

On the other end of the scale, I got a call from David, the man who cuts the remainder of my hair. He's a very well adjusted 40 something who after having given his flat to an ex-girlfriend finds himself flat-sharing in Camden with another guy his age. He's loving it and leading the life most of my generation only witness vicariously on Skins, Mistresses or sometimes it must be said, Scarface ... His flatmate phoned him up last week and asked if he could borrow his camera. "Sure," said David, "it's in my room - but why do you need it, you never take pictures?" "I'll show you when I get back!" he replied. When David did get back, his flatmate, who'd been up for two days with no sleep and, as we dads say, watching a bit too much Charlie And Lola, presented David with his camera. It contained a large collection of images of his girlfriend in various states of undress on David's pool table. After having phoned me up to tell me this story, he later texted me asking me if he should keep the images on his camera as his flatmate hadn't erased them ...

I was in Camden myself earlier in the week (not far from the Hawley Arms as it goes, which I have to admit, I never knew was a celeb hangout until the news reports about the fire started describing it as such; I'd always assumed it was a no-go tourist trap on the one way system, but that's what eulogy does, eh?) Anyway, I was in the Lock Tavern meeting a friend of mine, Phil, who manages bands too. He's been managing bands successfully for several years and I was hoping a bit of his luck would rub off on me. Anyway, we drank pints and talked about the changes in the music business - a typical Camden conversation - and then he went for a wee. I sat by the bar and having just had a pint was feeling expansive so started a conversation with the twenty-something guy behind the bar who was wearing a Joy Division T-shirt. Here's how it went:
Me: I saw them live when I was 13
Him (Seriously unimpressed) Yeah?
Me: Yeah, it was by accident, supporting the Buzzcocks - I didn't think they were that good to be honest - all that elbow-waggling and stuff ...
Him: (laughing out of politeness) Right
Me: (Now almost without the will to live) Funny, how they're seen as so brilliant isn't it ...

I realised half way through this that I was this old bloke sitting at the bar recounting war stories that the dudes still fighting don't really want to hear. I felt a fool - like Howard Moon talking to Vince Noir about jazz when all Vince wants to hear about is the Human League.

Still, at least I'm still trying. I'm not - in the words of The Mighty Boosh's Howard Moon again - dressing like a "Camden leisure pirate", or pretending to like bands that do nothing for me. But you know what, I can't help liking a lot of stuff that only young people are supposed to like and if that makes me look like someone's best friend's dad then so be it.

So anyway, the questions still remains, did I sign up for the Samaritans? The answer, I'm sure you'll be glad to hear, is yes. And strangely, just as I was putting pen to paper I heard a voice say, "Hello Ben!" and it turned out to be my old school friend Luke, whom I hadn't seen for ages. And that, I suppose, is one of the benefits of getting old, you amass friends who turn up at moments when you need them most. The girl tried to get Luke to sign up too but I don't think she was his type ...